
Bibliografia
Autores
AGAMBEN, Giorgio
2002 Remnants of Auschwitz [1999]. Trans. Daniel Heller-Roazen. New York: Zone Books.
2011“Nudity”, in Nudities [2009]. Trans. David Kishik and Stefan Pedatella. Stanford: Stanford University Press, pp.55-90.
ARENDT, Hannah
2002 “Reflections on violence”, in BESTEMAN 2002: 19-34.
2009 Sobre a violência. Trad. André Duarte. Rio de Janeiro : Civilização Brasileira.
2009 “From Eichmann to Jerusalem: A Report on the Banality of Evil”, inSCHEPER-HUGHES & BOURGOIS 2009: 91-100.
ARMSTRONG, Nancy & TENNENHOUSE, Leonard
1989 The Violence of Representation: Literature and the History of Violence. London and New York: Routledge.
ARISTÓTELES
1994 Poética. Tradução, prefácio, introdução, comentário e apêndices de Eudoro de Sousa. 4ª edição. Lisboa: Imprensa Nacional – Casa da Moeda.
1975A política. Lisboa: Círculo de Leitores.
BANU, Georges
2005 « La revolte d’Avignon », in BANU & TACKELS 2005: 217-234.
2008 “A ‘língua baixa’, um ‘efeito de real’?”, trad. Luís Varela, Sinais de cena, n.10, Dezembro, pp.82-84.
BATAILLE, Georges
1998 A literatura e o mal. Tradução António Borges Coelho. Lisboa: Nova Vega.
BAUMAN, Zygmunt
2002 “The Uniqueness and Normality of the Holocaust”, in BESTEMAN 2002: 67-96.
BENJAMIN, Walter
2007“Critique of Violence”, in LAWRENCE & KARIM 2005: 268-285.
BENTLEY, Eric
1948The Modern Theatre: A Study of Dramatists and the Drama. London: Robert Hale Limited.
1991The Life of the Drama [1964]. New York: First Applause Printing.
2000What is Theatre? (1944-1967) [1968]. Intro. Donald Lyons. 2nd Ed. New York: Hill and Wang.
BILLINGTON, Michael
2007State of the Nation: British Theatre since 1945. London: Faber & Faber.
BERGER, John
1972Ways of Seeing. London: British Broadcasting Corporation and Penguin Books.
BUTLER, Judith
1993Bodies that Matter: On the Discursive limits of “Sex”. New York / London: Routledge.
2004Precarious Life. The Powers of Mourning and Violence. London / New York: Verso.
CONROY, Collete
2010Theatre & the Body. Foreword by Marina Abramovic. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
CROSSMAM, Richard (Ed.)
1950The God That Failed: Six Studies in Communism. London: Hamish Hamilton.
DE JONH, Nicholas
1992Not in Front of the Audience: Homosexuality on Stage. London and New York: Routledge.
DERRIDA, Jacques
1978“The Theater of Cruelty and the Closure of Representation”, in Writing and Difference. Trans. Allan Bass. Chicago: University of Chicago Press, pp. 232-250.
FÉRAL, Josette
2011“From Event to Extreme Reality: The Aesthetic of Shock”, TDR – The Drama Review, Winter 2011, vol. 55, n.4 (T212), pp.51-63.
FISCHER-LICHTE, Erika
2005Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre. Londonand New York: Routledge.
2006“Embodiment: From Page to Stage. The Dramatic Figure”, in Semiotic Bodies, Aesthetic Embodiments and Cyberbodies, ed. Winfried Nöth. Kassel: Kassel University Press.
2008The Transformative Power of Performance: A New Aesthetics. Trans. Saskya Iris Jain. London and New York: Routledge.
FOUCAULT, Michel
2009“Right of Death and Power over Life”, in SCHEPER-HUGHES & BOURGOIS 2009: 79-82.
FOWLER, Dawn & LENNARD, John
2006“On War: Charles Wood’s Military Conscience”, in A Companion to Modern British and Irish Drama: 1880–2005. Ed. Mary Luckhurst. Malden / Oxford / Victoria: Blackwell Publishing, pp.341-357.
FREEMAN, Ted
1998Theatres of War. French Commited Theatre from the Second World War to the Cold War. Exeter: University of Exeter Press.
GODDARD, Jean-Christophe
2008Violence et Subjectivité: Derrida, Deleuze, Maldiney. Paris : Librarie Philosophique J. VRIN.
HEWISON, Robert
1981In Anger: Culture in the Cold War (1945-60). London: Methuen.
HOBSBAWM, Eric
1994The Age of Extremes: The Short Twentieth Century (1914-1991). London: Abacus.
LAURETIS, Teresa de
1989“The Violence of Rhetoric: Considerations on Representation and Gender”, in ARMSTRONG & TENNENHOUSE 1989: 239-256.
LENNARD, John
2006“Staging ‘the Holocaust’ in England”, in A Companion to Modern British and Irish Drama: 1880–2005. Ed. Mary Luckhurst. Malden / Oxford / Victoria: Blackwell Publishing, pp.316-328.
LESCOT, David
2001Dramaturgies de la Guerre. Col. Penser le Théâtre. Paris: Circé.
LORENZ, Konrad
1974A agressão. Uma história natural do mal. Col. Temas e Problemas. Lisboa: Moraess Editores.
LUKÁCS, Georg
1979The Meaning of Contemporary Realism. Trans. John and Necke Mander. London: Methuen Press.
LYOTARD, Jean-François
1973“La dent, la paume”, in Des Dispositifs pulsionnels. Paris: Union Générale d’Éditions, pp. 95-104.
NANCY, Jean-Luc
2005The Gound of the Image. Trans. Jeff Fort. New York: Fordham UniversityPress.
NANCY, Jean-Luc
2005The Gound of the Image. Trans. Jeff Fort. New York: Fordham UniversityPress.
PATRAKA, Vivian M.
1999Spectacular Suffering. Theatre, Fascism, and the Holocaust. Bloomington, Indianapolis: Indiana University Press.
PLUNKA, Gene A.
2009Holocaust Drama: The Theater of Atrocity. Cambridge: CambridgeUniversity Press.
RANCIÈRE, Jacques
2010“A imagem intolerável”, in O espectador emancipado. Trad. José Miranda Justo. Lisboa: Orfeu Negro.
WILSON, Colin
2007The Angry Years. The Rise and Fall of the Angry Young Men. London: Robson Books.



