Bibliografia

Autores

AGAMBEN, Giorgio

2002​ Remnants of Auschwitz [1999]. Trans. Daniel Heller-Roazen. New York: Zone Books.

2011​“Nudity”, in Nudities [2009]. Trans. David Kishik and Stefan Pedatella. Stanford: Stanford University Press, pp.55-90.

 

ARENDT, Hannah

2002​ “Reflections on violence”, in BESTEMAN 2002: 19-34.

2009 ​Sobre a violência. Trad. André Duarte. Rio de Janeiro : Civilização Brasileira.

2009 ​“From Eichmann to Jerusalem: A Report on the Banality of Evil”, inSCHEPER-HUGHES & BOURGOIS 2009: 91-100.​

 

ARMSTRONG, Nancy & TENNENHOUSE, Leonard

1989 ​The Violence of Representation: Literature and the History of Violence. London and New York: Routledge.

ARISTÓTELES

1994​ Poética. Tradução, prefácio, introdução, comentário e apêndices de Eudoro de Sousa. 4ª edição. Lisboa: Imprensa Nacional – Casa da Moeda.

​         1975​A política. Lisboa: Círculo de Leitores.

BANU, Georges

2005 ​« La revolte d’Avignon », in BANU & TACKELS 2005: 217-234.

2008 “A ‘língua baixa’, um ‘efeito de real’?”, trad. Luís Varela, Sinais de cena, n.10, Dezembro, pp.82-84.

  

BATAILLE, Georges

1998​ A literatura e o mal. Tradução António Borges Coelho. Lisboa: Nova Vega.

 

BAUMAN, Zygmunt

2002 “The Uniqueness and Normality of the Holocaust”, in BESTEMAN 2002: 67-96.

 

BENJAMIN, Walter

2007​“Critique of Violence”, in LAWRENCE & KARIM 2005: 268-285.

 

BENTLEY, Eric

1948​The Modern Theatre: A Study of Dramatists and the Drama. London: Robert Hale Limited.

1991​The Life of the Drama [1964]. New York: First Applause Printing.​

2000​What is Theatre? (1944-1967) [1968]. Intro. Donald Lyons. 2nd Ed. New York: Hill and Wang.

 

BILLINGTON, Michael

2007​State of the Nation: British Theatre since 1945. London: Faber & Faber.

 

BERGER, John

1972​Ways of Seeing. London: British Broadcasting Corporation and Penguin Books.

  

BUTLER, Judith

1993​Bodies that Matter: On the Discursive limits of “Sex”. New York / London: Routledge.

2004​Precarious Life. The Powers of Mourning and Violence. London / New York: Verso.

CONROY, Collete

2010​Theatre & the Body. Foreword by Marina Abramovic. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

 

CROSSMAM, Richard (Ed.)

1950​The God That Failed: Six Studies in Communism. London: Hamish Hamilton.

DE JONH, Nicholas

1992​Not in Front of the Audience: Homosexuality on Stage. London and New York: Routledge.

 

DERRIDA, Jacques

1978​“The Theater of Cruelty and the Closure of Representation”, in Writing and Difference. Trans. Allan Bass. Chicago: University of Chicago Press, pp. 232-250. 

FÉRAL, Josette

2011​“From Event to Extreme Reality: The Aesthetic of Shock”, TDR – The Drama Review, Winter 2011, vol. 55, n.4 (T212), pp.51-63.

  

FISCHER-LICHTE, Erika

2005​Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre. Londonand New York: Routledge.

2006​“Embodiment: From Page to Stage. The Dramatic Figure”, in Semiotic Bodies, Aesthetic Embodiments and Cyberbodies, ed. Winfried Nöth. Kassel: Kassel University Press.

2008​The Transformative Power of Performance: A New Aesthetics. Trans. Saskya Iris Jain. London and New York: Routledge.

 

FOUCAULT, Michel

2009​“Right of Death and Power over Life”, in SCHEPER-HUGHES & BOURGOIS 2009: 79-82.

 

FOWLER, Dawn & LENNARD, John

2006​“On War: Charles Wood’s Military Conscience”, in A Companion to Modern British and Irish Drama: 1880–2005. Ed. Mary Luckhurst. Malden / Oxford / Victoria: Blackwell Publishing, pp.341-357.

 

FREEMAN, Ted​

1998​Theatres of War. French Commited Theatre from the Second World War to the Cold War. Exeter: University of Exeter Press.

GODDARD, Jean-Christophe

2008​Violence et Subjectivité: Derrida, Deleuze, Maldiney. Paris : Librarie Philosophique J. VRIN.

HEWISON, Robert

​1981​In Anger: Culture in the Cold War (1945-60). London: Methuen.

 

HOBSBAWM, Eric

1994​The Age of Extremes: The Short Twentieth Century (1914-1991). London: Abacus.

LAURETIS, Teresa de

1989​“The Violence of Rhetoric: Considerations on Representation and Gender”, in ARMSTRONG & TENNENHOUSE 1989: 239-256.

  

LENNARD, John

2006​“Staging ‘the Holocaust’ in England”, in A Companion to Modern British and Irish Drama: 1880–2005. Ed. Mary Luckhurst. Malden / Oxford / Victoria: Blackwell Publishing, pp.316-328.

 

LESCOT, David

​2001​Dramaturgies de la Guerre. Col. Penser le Théâtre. Paris: Circé.

  

LORENZ, Konrad

1974​A agressão. Uma história natural do mal. Col. Temas e Problemas. Lisboa: Moraess Editores.

  

LUKÁCS, Georg

1979​The Meaning of Contemporary Realism. Trans. John and Necke Mander. London: Methuen Press.

 

LYOTARD, Jean-François

1973​“La dent, la paume”, in Des Dispositifs pulsionnels. Paris: Union Générale d’Éditions, pp. 95-104.

  

NANCY, Jean-Luc

2005​The Gound of the Image. Trans. Jeff Fort. New York: Fordham UniversityPress.

NANCY, Jean-Luc

2005​The Gound of the Image. Trans. Jeff Fort. New York: Fordham UniversityPress.

PATRAKA, Vivian M.

1999​Spectacular Suffering. Theatre, Fascism, and the Holocaust. Bloomington, Indianapolis: Indiana University Press.

 

PLUNKA, Gene A.

2009​Holocaust Drama: The Theater of Atrocity. Cambridge: CambridgeUniversity Press.

RANCIÈRE, Jacques

2010​“A imagem intolerável”, in O espectador emancipado. Trad. José Miranda Justo. Lisboa: Orfeu Negro. 

WILSON, Colin

2007​The Angry Years. The Rise and Fall of the Angry Young Men. London: Robson Books.

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